
RAWRAWRAWRAWRAWRAWR ANGST BREAKDOWNS FURY RAGE
Messy, Isn't It?
Due to the fact that I enjoy and highly recommend this album, I posted it on this blog. That way, the public might become aware of it and consequently listen to it as well


Bang Bang is one of those rare indicators in life of a personality standard we should all strive to follow: If you don't like this album, you gotta lighten up, man! Dispatch has the unusual ability to make simple musical ideas into amazing songs, songs that you can sing along to and relate to and most of all cherish with a carefree heart.
"I saw Ben in a dream last night."


Where's your peace? Where's your prosperity?
Post rock with beautiful vocals and asymmetrical time signatures? Count me in! Vessels' White Fields and Open Devices is an impressive debut from the british quintet, boasting ten tracks of scorching instrumentals, pop songs, and piano ballads. No song on the album is weak, and no two songs on the record find their merit with the same tricks, making White Fields an extremely well rounded and rewarding listen. It's chock full of gems: "A Hundred Times in Every Direction" and "Yuki" use the delicately gorgeous voice of Tom Evans to create heartwrenching tracks, whereas instrumental burners "Altered Beast" and "An Idle Brain and the Devil's Workshop" are excellently crafted post rock tunes that cut the crap and get to the point for 7 minutes. White Fields and Open Devices is a long record, but it's definitely worth it, so just get it. I mean, how often do you come across a ten song post rock record with no skippable tracks?
On Eyes Like Bromtide, Lights Out Asia envelops their listeners in a cold dead place, and doesn't release until the final crescendo of "Six Points of Fire." You can't get more gay post rock descriptions, people. Seriously though, all homosexual metaphors aside, Eyes Like Brontide is an extremely entertaining, mesmerizing record. It very much plays to a specific atmosphere, isolating the listener in Lights Out Asia's reverb heavy drum machines and gorgeous piano lines. Chris Schafer's voice, when present, is incredibly strong and always heartbreaking, such as on the album's first full track, "Radars Over the Ghosts of Cherynobl," when one can feel the dejected cynicism in his voice. He alone makes Eyes Like Brontide an impressive release, but Lights Out Asia's consistency propels the record to the top of 2008's post rock heap. In Eyes Like Brontide, Lights Out Asia have created one of the most intense, beautiful, and dare-I-say epic post rock albums of the year. And with song titles like "If I Die, I Wish You A Horrible Death," how can you resist?

Man, no one's doing that Sunny Day Real Estate/ American Football thing anymore oh WAIT! "What It Takes to Move Forward" may be the next album in a line of sensitive emo classics that kick a shitload of ass. It certainly tries to be.



Five songs able to raise the spirits and toast life in all its shittiness. Another cocktease made of awesome, brought to you by The Lawrence Arms.
Easily the richest and most provocative album from the Brooklyn boys, "Paul's Boutique" left the black hip hop community shaking with its release. With major lyrical fortitude that tend to build true commentaries and narratives within the album, and dense beats produced by none other than the Dust Brothers, this is easily the Beastie Boys' magnum opus.
mmm dreamy pop that never stops.





When the effects of leading a boring life settle into my bones, I tend to go dredging around the web for bands with interesting names. Sometimes it proves futile (Math the Band, Margot and the Nuclear So and So's,) but in the case of Nada Surf, my little idiosyncrasy paid off. "Lucky," the band's most recent album, delivers like a pregnant Irish girl - fun, lovestruck alt-rock with a ballad here and there, and whole lot of danceability. It's a hipster's wet dream.







Laughing Stock. I can't even begin to say how brilliant this is, so I'll say this: Please listen to it. For your sake.